You re a Real Musician When:
You realize that the cheers from the audience after
a particularly
difficult passage are for a sports play on the big
screen TV over the
bar, and that in fact, no one
is listening to you.
When the gig you drove 200 miles for to make $100,
and had to pay for a
hotel room, is later referred
to as your "summer tour".
When your most sincere, heartfelt comments are made
by people that are
drunk and who won t
remember you in the morning.
When you are repeatedly told that the lead singer
who can t read, never
practices and has been singing
for only six months is "The strongest
part of the band", primarily because she has big
tits.
When you are pleased that the pay for the gig, when
looked at hourly
from the time you leave your
house to when you return meets minimum
wage.
When someone comes up to you to tell you how much
they love your
playing, because they didn t think anyone played those things
anymore.
You get to the gig to find out that nothing is
comped, and you re
charged $10 to park.
When someone seeks you out to complement your
playing as the "best sax
player they have ever heard", and you re the trumpet player.
When you realize that a small piece of equipment-
such as a wireless
mike you need- will take months of weekly gigs to pay
for.
When you have to add $30 or $40 out of your pocket
to find a sub, cause
no one will cover you for what you are paid.
You aren t offended
when all of the young wedding guests leave after
the second set to dance to the DJ at a club down the
street.
When you are told that you must play until the very
end of when you
were contracted for, when your
only audience is the bartender, and
you re being paid 40 or 50
bucks for the night.
When the bandleader or club owner wants to pay you
in food or drinks,
and you have $100,000 in school loans to pay off for that
music degree.
When the guy collecting money at the door for the
band s performance
makes twice over the course of
the evening what you do as one of the
band members.
When as a member of a blues band you no longer even
pretend to smile
when asked to play "Free Bird".
When you know that other musicians who routinely
claim they don t work
for less than $100 a night only work a few times a
year.
You notice that all of the musicians playing the
better functions to
young audiences are mid
40 s , and
up, and balding, because young musicians that
read don t exist
anymore.
When people who are drunk tell you that what you are
doing is
absolutely great and the best
thing thing they have ever seen or heard,
but refuse to pay more than $5 at the door.
When someone calling the cops for noise is a good
thing. You get to go
home early and you still get paid.
When you realize that asking women out that you meet
on gigs doesn t
work, for now they know you re a musician.
When you get invited to play the same gig the
following year, which
means that you don't have to
tear down after this year's gig.
When you have, for several years, been paid the same
amount for a gig,
but are afraid to say anything
about it for fear that you might lose
the gig.
When you spend more on the bar
tab than you get paid for the gig.
When you finally have to resort to playing Proud
Mary in order to get
the audience
dancing.
Wednesday, January 13, 2010
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